Some field notes about synchronicity and storytelling

I’ve been doing a lot of reading for my next book. One of my characters is a late-1800s English woman who finds herself in a frontier town. Let’s call her I—, in the good old Victorian fashion of blanking names that were to be keep secret (and decent) by omission. I—’s chapters are written fromContinueContinue reading “Some field notes about synchronicity and storytelling”